I recently started a Flickr page and filled it largely with Nagamatzu photo’s taken by Carol Orriss.
Come along and have a look https://www.flickr.com/photos/gaijinlags/
I recently started a Flickr page and filled it largely with Nagamatzu photo’s taken by Carol Orriss.
Come along and have a look https://www.flickr.com/photos/gaijinlags/
Stephen is hard at work, transferring old recordings of Nagamatzu from minidisc (sourced from original cassettes). You can find them at their Bandcamp page but I wanted to highlight this one in particular, which is the first time we played live. We used the Ferrograph Logic 7 reel to reel recorder for backing tracks, with various guitars and Dave Campbell’s jet flanger (thanks Dave!).
Jo Farrell did a reading of a short text written by me after the first track (thanks Jo!).
Here it is, in all its glory
Close To The Noise Floor Presents… Additive Noise Function: Formative UK, European & North American Electronica 1978-84, Various Artists Limited Edition Triple LP – including the Nagamatzu classic ‘Faith’, which was recorded in my parents’ dining room in Ipswich in 1983, by John Bowers.
More details and order link here
The ‘studio’ at Du Cane Court, in Balham, South West London, where I recorded and arranged many albums and tracks including ‘False Dawn’, ‘Die Datenschleuder’, ‘Knowledge’, ‘Prismatic’, the Lagowski Chromium Industries 12″ series, Nagamatzu and engineered Lustmord, Terror Against Terror and Isolrubin BK. That is Lustmord’s Akai keyboard in the foreground, which we used as a MIDI controller and sampler. A while after this, I got a Yamaha DX11 to control my MIDI equipment and sold the TEAC 8 track and Seck 12-8-2 mixer to Paul Rooney, the guitarist from Vice Squad.
As Nagamatzu were inspired so much by NASA and of course S.E.T.I. uses NASA and other space samples, it is appropriate to share this lovely item as a PDF nasa_graphics_manual_nhb_1430-2_jan_1976
Promo from the release’s FB page ‘We’re delighted to announce CTTNF will be released on April 29th. 4CDs of ‘Proto-Synth Pop, DIY Techno and Ambient Exploration’, accompanied by over 9,000 words of artist recollections, sleeve notes and an introductory essay by Dave Henderson. Coming to a record shop near you, or directly from Cherry Red Records’. Here you can see the press release with full band list CLOSE TO THE NOISE FLOOR PRESS RELEASE
I’ve never had a manager for my musical output and am not the kind of person who can schmooze his way to success. I don’t believe in kissing the backside of those who I think might help to increase my exposure in the electronic music/sound world. I find it hard to look at my musical output from the outside in – to me it seems sporadic and patchy with a few tunes here and there that I still enjoy. I’m always analysing my own tracks and wishing I could have done this or that better but ultimately, once a track is done and ‘out’, it’s like saying goodbye to an offspring and time to make another one.
So this week, in an attempt to increase my circle of listeners, and to introduce people to my music (which I’ve been making for 30+ years) I’ve paid FB to bring traffic to this page. Only a very small amount but without a manager, there is not much I can do to push it out there and spread the virus.
In the long distant past, I would have sent cassettes out to fanzines and later, cd’s to magazines and websites. I even met people and gave them cd’s in person! I soon realised that giving people your music free, in the hope that they’d review it or talk to others about it, was a very naive thing to do.
I don’t really know what I’m trying to say apart from, this is the way I’ve always done it and I don’t think it’s ever going to change. So paying FB to promote me is perhaps the equivalent of sending out that cassette 30 years ago and I don’t really expect it to go anywhere or reach anyone but you can’t hang on to your children forever and maybe this will push them further afield into areas that they’ve never been.
Stephen Jarvis of VII Sins has created a great video cut up for my 1988 track ‘USA v LHO’ from ‘Nadir’. You can view it here and get the album for only $4 here at Bandcamp