January 14, 2017
The ‘studio’ at Du Cane Court, in Balham, South West London, where I recorded and arranged many albums and tracks including ‘False Dawn’, ‘Die Datenschleuder’, ‘Knowledge’, ‘Prismatic’, the Lagowski Chromium Industries 12″ series, Nagamatzu and engineered Lustmord , Terror Against Terror and Isolrubin BK. That is Lustmord’s Akai keyboard in the foreground, which we used as a MIDI controller and sampler. A while after this, I got a Yamaha DX11 to control my MIDI equipment and sold the TEAC 8 track and Seck 12-8-2 mixer to Paul Rooney, the guitarist from Vice Squad.
September 24, 2016
I have put some new Lagowski tracks and remixes up on Bandcamp. All proceeds from the sale of this music will go towards the treatment of Ania Mehring, the wife of Maciej Mehring, founder of the Zoharum label. She has been diagnosed with Ewing Sarcoma, a rare form of bone cancer.
August 22, 2016
I will be performing as S.E.T.I. at this festival to celebrate the 25th anniversary of Loki Foundation. My performance will be on 10th September 2016 at Le Petit Bain.
I will be using new hardware and have been working on a new video presentation….hope to see you there!
+ Saturday Sept. 10th +
Le Petit Bain
7 Port de la Gare – 75013 Paris
Métro: Quai de la Gare / Bibliothèque François Mitterrand
August 5, 2016
Available for pre-order from TXT Recordings is the new album from S.E.T.I. following the travels of Astro Myrmex.
01 Instrument Calibration
03 Black Engines
04 Gravity Stupor
07 LoS Jitter Summary
Recorded between 1984 and 2016. Mixed and rendered at Studio FWD.
Astro Myrmex continues the journey initiated by the Nibiru Cataclysm via the various paths previously described in ‘The Data Logs of Astro Myrmex’. In order to navigate the vast regions of interstellar loneliness, guide ‘lockstars’ are identified and used as signposts. To document the deep space anomalies encountered, a soundtrack of events has been composed and presented here.
These recordings sometimes contain programming and compositing incidents that may seem out of place. They are to be considered part of the audio image and not discarded as errors.
Good bass response recommended for faithful rendition of recorded material.
July 17, 2016
I have compiled some tracks I made while working in the attic of my parents’ house in London, between 1984-1987. There’s quite a bit of guitar, melancholy and some noisy drum machine workouts too. Star of the show has to be the Boss DE-200 digital delay that I used on most of my recordings from 1984-2000+ – see if you can spot where it’s been used.