Archive for the ‘Electronica’ Category

Kino – premixes from the ‘Ashita’ album

May 7, 2017

These are early/alternate versions of tracks from the ‘Ashita’ album that never made it. Now recovered from the original DAT and presented here. “Kino” means yesterday in Japanese.

Beyond Black: Project ‘Preserve Destiny’

May 7, 2017

This is a reworking of the ‘Above Black’ album, imagined as data recovered after millennia locked on magnetic media. Partially corrupted; only some of the original data remains, so interpolation has been used to reconstruct the messages left for any sentient beings who discover them. Created using the source files taken from the original improvised performance, which was direct to DAT.

Teratology 2 – EMU Takes Flight

May 6, 2017

As some of you may have seen, I recently rescued a large collection of DAT’s from a container in our shed. They contain many unreleased tracks recorded between 1991 to 1998.

Phobos VIII video report & gear update

March 22, 2017

Thanks to Martin Stürtzer (Phelios), you can watch the whole of my performance S.E.T.I. Live at Phobos VIII at Sophienkirche in Wuppertal on March 11th 2017.

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For those interested in the gear I used, here is a list: Mutable Instruments ‘Shruthi’ synthesizer, Bastl Instruments Trinity Poly, Roland SP404SX Sampler, Bleep Labs ‘Nebulophone’, Phonic 12:2 mixer, Mute Dirty Synth 1, Boss SE50, Boss Tera Echo, Koma Elektronik BD101 Delay, Sony MiniDisk, 4:1 submixer….the video was edited in iMovie. Insect photographs by Alek Lagowski, 3D processing by Pete Woodhead….

The Many Hours at Salisbury House

March 17, 2017

Important to realise that a lot of the foundations of Nagamatzu were laid here. These tracks were recorded at the same time that we were active, using the same gear.

Lagowski.com

I have compiled some tracks I made while working in the attic of my parents’ house in London, between 1984-1987. There’s quite a bit of guitar, melancholy and some noisy drum machine workouts too. These were recorded while I was very active with Nagamatzu, so fans of Nagamatzu will be able to hear some of our trademarks here too. Star of the show has to be the Boss DE-200 digital delay that I used on most of my recordings from 1984-2000+ – see if you can spot where it’s been used.

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S.E.T.I. – ‘Interim Report from Worm Boundary Five’

March 12, 2017

Lagowski ‘MCB’ mini album

February 16, 2017

Phobos VIII – A Night of Dark Ambient Music – March 11th 2017

February 6, 2017

phobos2017http://www.wuppertal-live.de/?199731

The Du Cane Court ‘Studio’ aka ‘Mission Control’

January 14, 2017

The ‘studio’ at Du Cane Court, in Balham, South West London, where I recorded and arranged many albums and tracks including ‘False Dawn’, ‘Die Datenschleuder’, ‘Knowledge’, ‘Prismatic’, the Lagowski Chromium Industries 12″ series, Nagamatzu and engineered Lustmord, Terror Against Terror and Isolrubin BK. That is Lustmord’s Akai keyboard in the foreground, which we used as a MIDI controller and sampler. A while after this, I got a Yamaha DX11 to control my MIDI equipment and sold the TEAC 8 track and Seck 12-8-2 mixer to Paul Rooney, the guitarist from Vice Squad.Lagowski at Mission Control

S.E.T.I. ‘The Guide Lockstars of Astro Myrmex’ CD & download now available

December 7, 2016



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