Incoming signals in the form of a CD, limited to 200 copies. Get yours from Deep Audio in Germany http://www.deep-audio.de/epages/62166959.sf/en_GB/?ObjectPath=/Shops/62166959/Products/0056

Also at their Bandcamp page at the link below
Incoming signals in the form of a CD, limited to 200 copies. Get yours from Deep Audio in Germany http://www.deep-audio.de/epages/62166959.sf/en_GB/?ObjectPath=/Shops/62166959/Products/0056

Also at their Bandcamp page at the link below
I sold my Ableton Live software, a Korg drum machine and some other bits and pieces, to fund a new direction that brings me more joy and less anxiety.

Happy to report that S.E.T.I. will play live (hardware set) on 9th March 2024, with some great acts. The first S.E.T.I. live performance since November 2019 at the Wroclaw Industrial Music Festival.
S.E.T.I. will not be performing at the below due to personal reasons. EX-ORDER will fill the slot on the evening.
Click here to see ticket details.

This animated video from my track ‘Meteoroids’ was created by Slow Tiger (Markus Kempken) – hand drawn, except for the dust, which was scanned into the computer. Composited and edited in Final Cut Pro. The track is available on the ‘Sporogenesis’ album via my Bandcamp page.
Here you can see the layout of my live gear for my gig organised by Sleepers, at Ohm in Berlin, in November 2019. The Tascam is a digital recorder, used to capture the live set from the mixer outputs. The feint lines are audio signals. The others are MIDI or sync signals.
Beats came mostly from the Novation Circuit, which is two synths and four (drum/sound) sample locations in a sequenced box, and Korg ES-1 (sampling drum machine).
The iPad supplied various samples and noises programmed at the same BPM as the main beats.
The Eoten B is a handmade noise box by Orgeldream that can take inputs or generate a racket by itself.
‘Fla’ is a Boss BF3 flanger pedal and the Zoom is a CDR-70 multi effects pedal that provides the wonderfully smooth reverb.
The Volca Kick and Bass did a couple of tracks synched to each other but they didn’t perform well in the club and lost sync at times – not sure if they overheated or got moody. Either way, I sold them once I’d returned home.
The Circuit held its own really well in the club and I was pleased with how far I’d got programming it, having only bought it two weeks before the gig. Looking forward to hooking up a Circuit Mono Station synth to it in the next week or two.





With thanks for – Top photo by Yukari Lagowski. Bottom photo by Carol Orriss.